It is a Friday night in the spring of my sophomore year in college, a few months after my struggles with writing the essay on "On What There Is." There is a bustling energy through the campus which signifies it is time for a break from studying, and for new friendships and experiences to be discovered. As I walk through Collegetown, I am aware of my usual voyueristic curiosity about the students who are dressed up for the night, who move in groups with a laughing rebelliousness and who seem set to penerate that night into some mystery at the heart of being social creatures. I circle through the streets, seeing if there might be a space where I can park myself, and eventually leave Collegetown. A part of me wishes that I could just go to my room and sleep, but I live in an attic room in a house near the center of Collegetown, and it feels too painful to accept being alone for the night; going to my room so soon, when others are just heading out into the world, evokes in me a feeling of failure which I would like to keep at arm’s length for a little longer.
Sensing the youthful energy receding into the distance behind me, I start to walk back towards Uris, the undergraduate library which is my second home and which is near the main academic quad. I usually spend my free time there watching two or three movies at a stretch, a form of binging on American culture. But this night I don’t feel like watching a movie, as if even that reenforces for me my disconnect from the people around me. So I walk past Uris and turn towards one of the gorges which surround the campus and give it a pristine, natural beauty. I walk on a nature trial under the moon light. What am I thinking about? Nothing in particular: perhaps the scene at Collegetown, or the argument about moral objectivity we discussed in class, or what I am doing here in Ithaca and what it means. There are no particular thoughts I hold to. It is more the feeling of being I am having which captivates my attention; the feeling of walking in the wilderness seperated from all people, all life and all civilization; the feeling of being draw into the essence of the world and finding myself there alone and forlorn.
As I walk I come to a suspension bridge and walk across it lost within my own feeling of myself. There is no one else around, and I position myself at the center of the bridge and stare out at the nature around me. I look down to see the moving water, so serene and peaceful, so fluid and sure of itself. The water – what is its relation to Collegetown or to discussions of moral objectivity? What is its relation even to Ithaca and to the very land it flows over? It flows on the land, but it appears to me magical, as if it were really flying over the land, unhindered by the obstacles of the rocks here or the crevices there. And still it moves on. Still it continues. Endlessly, without hesistation and without pause.
Slowly, and as if there was starting to be a magnetic field enveloping me at one end and the water at the other end, my attention begins to be drawn to the water as it is flowing underneath me, and I start to sense that the water is not in a different world from me but that it and I are connected: I am standing a few hundred feet above it. What does it mean that I am in the same physical space as it? That I am just a little above it? As I stare more and more the flowing water seems more and more beautiful, more and more alluring, and that in fact it is not at all a distant, selfish water. It is an open, giving, welcoming water which is happy to share its peace and joy with anyone who comes to it humbly as a friend. The water offers solace to any soul, no matter how much of a failure they might feel like, no matter how much they might seem lost in the human world. I stand entranced: the magnetic field between me and the water seems to be gaining power as it merges with the gravitational field between me and it, and the water seems to me to become grander than anything I have seen in my life before. Within the water I see the course of human history and the struggles of people of all backgrounds, and that even all of that pain is borne by the water with an ease which is mezmerizing and awe-inspiring. “Really Water, have you been here since the beginning of time? Can you accept all that pain and still move on with the same fluidity and grace? Can that be possible?”
